tangle sculptures
Much of my recent work revolves around handspinning raw chaotic fiber into orderly line and shaping ordered line into tangled mass within drawings and sculptures as a way to navigate the nebulous space between order and chaos, chance and control.Thread is often regarded as a liminal material, always in transition towards a larger whole, whether sewn, knit, or woven. As such, I find the material itself - especially fresh off the spindle, wriggling and writhing against its new form - fascinating. I'm both discomfited and mesmerized by the amorphous tangles that take shape beneath my hands when a new thread is let loose. We humans seem to be uneasy with abstraction; in cloud gazing we make a game of finding recognizable shapes in the sky, while in more oracular traditions significance is wrested from coffee grounds and ink blots. My own unease with chaos manifests itself most often through the repeated creation and preservation of tangled masses in the attempt to find comfort within delicate systems of complexity. The use of tangled lines also highlights our often ineffable relationship to time. Time is linear, but our experience of it is not: the present moment overlays with our memories of the past and our expectations of the future.The inclusion of handspun within my work, either as the object or the record of its production, acknowledges two types of archetypal human creation: spinning as an ancient gesture of the hand and the storytelling which has accompanied it through the ages. The process of spinning has been with us for many millenia; perhaps for as long as language. Prior to industrialization, every cloth (besides felt) was first formed as individual threads. Each of those threads contains the mark of the hand however skilled the hand or subtle the mark. In our attempt to derive order through creation, we humans rarely if ever achieve perfection, but within the tradition of handcraft that doesn't seem to deter us from trying. Spinning's pervasiveness meant it was often a group activity. As the hands of our ancestors danced the ancient spinners' dance, the spinners' mouths spun stories to fill the ears of their companions. In this way, thread is tied to language and becomes shorthand for those collectively told cultural and personal narratives now lost to ether of time.
"I love walking around and around this piece watching the tangles disappear and reappear and disappear again just for a split second." -Sharon Emery
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- Dec 9, 2021 Court Grids
- Oct 1, 2020 Objects of Care
- Dec 1, 2019 Limonaia
- Nov 15, 2019 Film: Spaces of the Studio
- Oct 1, 2019 LIFE Newsweave
- Sep 1, 2019 Cyma
- Oct 18, 2018 mobilis in mobili
- Oct 18, 2017 Wise Grid
- Apr 19, 2017 Redacted Text(ile)
- Nov 16, 2016 arche.type
- Nov 15, 2016 Saucers for Nakatani
- Oct 18, 2016 Circuits and Sails
- Sep 22, 2016 After Image Collaboration
- Feb 3, 2016 So Far
- Feb 2, 2016 luna sea
- Jan 3, 2016 Poems to the Sea
- Dec 1, 2015 Four Panel Comics
- Dec 13, 2014 maybe we are the door
- Dec 13, 2014 the impossibility of indexicality
- Sep 20, 2014 Intermittent Transmission
- Jun 15, 2014 Static I, II, III
- Apr 19, 2014 Decoding Grief
- Jun 15, 2013 freckle constellation
- May 10, 2013 what I might have said
- May 8, 2013 vessel for the unspoken
- May 1, 2013 News [wherever the wind blows us]
- Apr 20, 2013 writ on silken seas
- Apr 15, 2013 scratching the surface
- Apr 8, 2013 tracks
- Apr 5, 2013 peers through
- Apr 3, 2013 Ambient Air
- Apr 1, 2013 silk comix
- Jan 18, 2013 Spanish Beard
- Jan 1, 2013 Passage
- Nov 9, 2012 Surveying the Landscape
- Oct 13, 2012 found abstract comics
- Sep 1, 2012 Morphosis
- Aug 18, 2012 my words fly up
- Aug 8, 2012 unnamed as yet
- Aug 8, 2012 a more perfect blue
- Aug 1, 2012 Plying Thoughts Collaboration
- May 10, 2012 inkblot kite
- Jan 18, 2012 Nubis
- Aug 8, 2011 Powerlines
- May 10, 2011 traces of spun
- May 8, 2011 tangle sculptures
- Apr 13, 2011 Specimens
- May 8, 2008 Stone Collector
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Erin
Curry
- Feb 24, 2023 New House, New Light