Limonaia
A poetic reinterpretation of historical greenhouses, Limonaia, reunites the polyseme of “conservatory” as distinct spaces for musicians and plants into a single place of respite.
Cyma
Cyma was created to double as artwork and acoustic treatments inside Pulp’s two recording studio spaces. The visual design takes cues from Brian Eno’s intentions with ambient music in that it “induces calm and a place to think.” The work recedes when artists need to focus and provides a place for the eye to alight when needed.
mobilis in mobili
Mobilis in Mobili, a large-scale interactive installation, stands as a handbook for the digital castaway longing for connection. The project consists of five large hemispheric- basins that fill a dark space lined with hanging screens of dark-blue silk gauze. The white plaster-cement basins are filled with light and water, the surface is veiled with a floating layer of indigo-blue oil resembling the cosmos. The surface of the oil is shared with wooden rings that hold back the oil to act as circular “portholes” to view collages and text within the basins. The invitation is extended beyond merely looking, to also touch and direct the rings.
Saucers for Nakatani
Temporary installation for Tatsuya Nakatani for Elestial Sounds Prototype series including wall treatment. Moon Saucers: Graphite on Duralar stretched on wire frame.